No concept boards, and no renderings of things that were never made.
In design and computer graphics since 2008, teaching it from 2009, and taking projects
at this size from 2015: more than 150 of them. This is a small selection.
A 16-foot bar around a live tree: drawn, nested, standing
Nine packages drawn since February, and every one of them has been fabricated in the shop. Some are photographed standing at the venue; the later dates are built and waiting to be installed. A brief arrives as a mood photo and a paragraph. What goes back is a dimensioned set with its cut list, and the release files alongside it: a DXF for the router, separate laser files for sheet metal. Five jobs below, one tab each.
A wedding at a private waterfront house. Bar, entrance arcade, reception awning and pergola columns, all drawn, cut and installed for the same date.
1. Drawn. 16'-0 1/2" overall, in three modules of two types. Cut list on the sheet: item, material, thickness, cut size, quantity.2. Nested. The bar's own parts released to the shop as a DXF, nested a sheet at a time with the stock edge drawn in red. ITEM Wbar-201-9: one sheet of 3/4" Red Oak, two lattice panels on it. ITEMS Wbar-201-8&10: two sheets of 3/4" MDF. He prepares and releases the file; the shop machinist writes the toolpath program from it and runs the machine.3. Standing. Photograph. Built around a tree that was already there and staying there.
Photograph, same job. The scalloped valance running along the top is item Awn-101-3 in the cut file, 9 off.The reception seen from the stair. Photograph.
One awning module, 4'-0" long and 2'-5 1/8" high. Item 2 is 3/4" MDF off the router, 31 off. The module comes in three types: A needs 3, B needs 13, C needs 2, eighteen in all.Those modules set out along a 52'-0" run at 11'-10 7/8" high, hung off the columns already on site.
Entrance arcade, 32'-11 7/8" long and 10'-4 1/2" high on a single 2x4 SPF frame. Lattice arches are 1/2" MDF, 6 off, with a reference photo pasted in the corner.Planter box and lattice screens for the same arcade, 2'-7" square by 2'-10 1/2" high. Thirty-two rails at 2'-0" by 3 1/2".
One cabinet across three sheets. Sheet 1: the carcass, 2x4 SPF, 8'-0" tall on a 1'-11" square base.Sheet 2: the lattice cladding that goes over it. Eight items. Items 1 and 2 go to the router, items 5 to 7 are 3/4" SPF rails.Sheet 3: assembled. Two clad uprights carrying a shelf run 8'-3" long, shelves 2" thick, 4 off.
Everything on those sheets that goes to the router, released as one DXF. Each profile carries its own code, count and material: Awn-101-2, QTY 31, MDF 3/4 is the awning panel; Lper-101-4, QTY 6, MDF 1/2 is the pergola lattice; Eal-101-2, QTY 6, MDF 1/2 is the arch corner.
The biggest set of the season: bar, arched display bays, two food stations and a forty-foot mountain backdrop, over nine sheets. Fabricated in the shop and waiting on its September date to be installed. These are the sheets as they went out.
The backdrop nested and released for cutting. Thirty-two profiles in three depth layers, colored by layer so the shop can sort them off the table.The sheet it came from. The profile is an exact copy of Lone Peak, traced from the real mountain rather than invented. 40'-0" long, 16'-11 5/8" high, 35 lines of material, mostly 1/2" plywood at 4'-0" wide. The note in the corner covers ballast on the rear supports, a cable at three points along the top, and a warning that CNC parts come off the table with tolerance on them.
Left and right wings of that backdrop, coded Bbm-Lf and Bbm-Rg, each with its own specification block. Width 3'-4".Bar front in grille panels, 20 items. Item 20 is a bar module, 3 off; item 19 is a single 2x4 at 11'-6".
A second bar drawn with its SPF frame, 8'-4" long and 4'-0 3/4" high. The note fixes the curtain at 10'-10" long by 3'-6 1/2" high, centered on the 2x4 support beam.Back bar elevation with the carved spandrels above. A note tells the shop to trim the central part by hand so it matches the pieces either side, which is the sort of thing a cut list cannot say.
Column, bracket and spandrel parts for the set, coded Cps-fbc, Cps-sic and Cps-spn types A, B and C. Plywood over a 2x2 SPF frame.Three arched display bays, 11'-6" long and 9'-11 3/4" high, with sections C-C and D-D. Twelve 2x2 SPF uprights.Food station under a scalloped awning, 10'-4" long and 8'-2 1/4" high. Sections J-J and K-K, and the countertop drawn separately.
The same station in assembly. Twenty-six items, including 119 wood slats at 3/8" and four 3/4" wood columns.
Three sheets: an arched back bar, a curved counter and a display unit. Built in the shop, waiting on its August date to go in.
Arched back bar, 7'-8" long and 10'-4" high, 24 items. Item 1 is 1/2" MDF cut at 3'-10" x 7'-8", 2 off; item 13 runs to 20 pieces.Curved counter, 10'-2" long and 3'-10" high. Front, top and radius-end views, with 18 lengths of 2x2 SPF in the frame.Display and shelving unit, 9'-9" long and 9'-10 3/4" high. Sections F-F and G-G, details H and I.
A walk-through entrance tunnel with a mountain range on both faces. Cut and assembled in the shop, waiting on its October date to be installed.
Tunnel shell, 14'-9" long by 8'-4" high by 8'-0" wide. Twelve items in 1/2", 3/4" and 1/4" plywood on a 2x4 SPF frame; item 7 is the panel drilled for lights.Decorative faces for the front and rear openings. Thirteen plywood profiles per end, colored by layer, all 1/2" and all cut on the router.
A food station built around an airplane propeller.
8'-3 5/8" long, 3'-10" high, 2'-8 1/8" deep, over two bar modules. Twelve sheet metal panels at 1/32" thick, a 1'-2" plywood hub disc and a 7/8"-diameter cylinder core. A note says to adjust items 14, 16 and 17 to the propeller that actually arrives.
These are my own sheets with the title
block cropped off, so the client name, the event date, the plot stamp and the
company logo are gone. The geometry and the bill of material are the work, so they
stay. Complete sets belong to my employer.
IN-201InteriorsRenders and drawings together
Interiors delivered as working albums, not single images
Index, survey, demolition, plans, finishes coded against physical swatches, schedules with counts, elevations wall by wall, and fabrication drawings for the joinery. Renders and drawings sit side by side here because that is how they were delivered. Six projects, one tab each.
Kapital Bank Privilege office, Tashkent, 2025. Twenty-one rooms over 205.91 square meters, issued as a working album.
Album cover. Reception, render.Waiting area off the reception. Render.
Meeting room. Render.Manager's office. Render.
Furniture and equipment plan at 1:80. The schedule beside it lists all 21 rooms with areas, from a 1.72 square meter WC to the 23.93 square meter pass-through zone.Furniture schedule M-01 to M-13, each line with quantity, size, material and a photograph. M-07 is a 2300 x 680 mm reception bench in yellow eco-leather.
Reception wall elevations 01 to 08, dimensioned in millimeters, with the LED cove and the 4300 mm ceiling line called out.Operating hall counter, 4830 mm long in four 1200 mm bays. Finishes named by product code: Egger anthracite carcass, oak Denver truffle fronts.
Sixty square meters. Six renders, then five photographs of the same rooms after handover.
Hall looking through to the living room. Render.Kitchen and dining on herringbone oak. Render.Living room toward the glazed bedroom partition. Render.
The kitchen run from the other end. Render.Window seat and the step up to it. Render.Bathroom vanity, backlit mirror. Render.
Living room and partition, built. Photograph.Kitchen and dining table, built. Photograph.The vanity, built. Photograph.
Hall and window step. Photograph.Shower screen. Photograph.
A pan-Asian restaurant in a Tashkent business center, 2023. Thirteen sheets covering 275.6 square meters.
Album cover. Main hall from the entrance, render.Dining room and the timber screen wall. Render.Sushi wall and banquette run. Render.
VIP booth, one of three. Render.Installation plan at 1:100. Thirteen rooms scheduled by area: main hall 134.6 square meters, kitchen 42.0, kids zone 33.6.
Floor plan with three coverings coded P-1 to P-3. Ceramic granite covers 155.64 square meters, the 600 x 600 mm concrete-look tile 29.14, the rubber kids floor 33.56.Details, sheet 13 of 13. Eight nodes, among them a 16 mm MDF screen fixed to 10 x 10 mm steel tube, and the logo stencil at 1000 mm square.
Standard room for a hotel in Khiva, 25 square meters, issued as 12 sheets.
Entry through to the bed. Render.Twin layout with desk and minibar. Render.The same room, second variant. Render.
Bathroom, marble and herringbone tile. Render.Sheet 2 of 12. Plumbing setting-out and floor plan at 1:50, room 4740 by 5260 mm, with every outlet given a height off finished floor.Sheet 3 of 12. Sections 1, 2 and 3 with levels at +0.700, +2.200 and +3.000.
A brand hall, bar and presentation room inside a bottling plant. The wall behind the bar runs the company's marks from 1893 forward, lit from behind.
Bar and tasting counter. Render.Presentation room, about 60 seats. Render.The same room, built. Photograph.
Four more rooms from the same years.
Showroom for an HVAC distributor. Double height with a mezzanine, product wall on the right. Render.Plotter bay and open desks in the same building. Render.
Travel agency office, mezzanine and stair. Render.Indoor pool in a private house. Render.
PR-301ProductDrawn to be tooled
Objects, where the habit of drawing a cut list came from
Product and furniture work modeled for manufacture: routing, sheet metal, injection tooling, joinery. The machine drawings tab is the oldest work on the page and the reason the event sheets look the way they do. One tab is the exception and says so: the air conditioners are advertising models of appliances that already exist.
Visualization, not product engineering. These air conditioners already exist and are made by their manufacturers. The work here is modeling them from the real appliance and rendering them for advertising: I did not design the appliance and these models were never for production.
Aurora wall unit, modeled from the production appliance and rendered in its white and black finishes for advertising.The same range with the Kid Star cases, five existing variants set up in one advertising image.Split unit from another brand, two of its case profiles. Advertising render.
Timber work: stairs, carved parts and gates, modeled at the level the carver and the CNC both need.
Two-flight staircase with a landing. Render.Carved staircase, full flight with the curtail step and turned balusters. Render.The volute at the foot of that flight, modeled close enough to carve from. Render.
Carved furniture legs and corbels. Three renders and one photograph of the piece in place on a cabinet.Gate and panel range, four finishes on one frame layout. Render.
Engineering CAD from the same folder, all of it drawn to be made.
Welded steel frame, 1900 x 1180 x 1000 mm. Detail A at 1:5 gives the gusset and the 80 mm post.That frame in 3D, 1900 by 1100 mm. Render.Square-section PET bottle. Render with the orthographic set beside it, drawn to be tooled.
Swing barrier post, 1050 mm high with a 650 mm arm. Tube at 76 and 60 mm diameter on a 240 mm base plate. Dimensioned model, not a render.Display cabinet, three glass shelves on four posts over a two-door base. Render.
Two odd ones out, kept because they show the modeling itself.
First experiments in modeling complex surfaces, Maya, 2008. Four viewport captures with the vertex, edge and face counts left on screen.Transformable equipment for an art studio: a folding unit that goes from three-tier shelving to an A-frame easel and back. Render.
Six frames from the assembly animation for that unit, in order: folded into one column, legs open, panels swinging out on their hinges, shelves forming, all three out, and the same frame carrying a picture. The joints and the swing are what the model was built to prove.
EX-401BuildingsHouses, resort and site
Two separate houses, a mountain resort and two sites
Two houses for two different clients, each with its own working set, plus a hotel complex in the mountains and two site-scale projects. Plans, sections and finish schedules through to the renders that went with them.
The first of two separate houses, for two different clients. Not a concept set: this is working documentation too, dimensioned plans and a section issued to be built from.
First-floor plan at +/-0.000 and second-floor plan at +3.300. The pool sits inside the plan at 17.90 square meters; the largest bedroom is 23.00.Main facade in axes 1 to 4 with section 1-1 alongside. Overall 13400 mm on the long side.
Two aerial views of the same house. Renders.Roof terrace and courtyard. Renders.
A different house, not the one in the previous tab: another client, another plot, its own set of 19 sheets at working-drawing stage, ground floor 83.38 square meters.
Marking plan of the ground floor. Finishes are scheduled by area: 47.28 square meters of ceramic granite, 16.6 of class 33 laminate, 40 of frost-resistant clinker.Section A-A with the wall build-up written out line by line, facade tile on a 1.5-brick wall through to acrylic paint inside. Three construction stages modeled below the section.Window and door schedule, OK-1 to OK-5 and D-1 to D-5, with stair sections B-B and G-G. Frames are double-glazed PVC in wet asphalt.
General view. Render.Facade G-A straight on. Render.
A hotel and cottage complex in the mountains above Tashkent, at Khumson in the Bostanlyk district, on the river. Master plan and presentation issued on one A3 sheet.
General plan at 1:1000, the site boundary surveyed corner by corner from I to XLIX. Twelve elements are scheduled: gatehouse, two villas and a VIP villa, the hotel, six cottage blocks holding twelve units, a climbing wall, sports complex, staff house, parking, sanitary block and changing rooms. Eight photo zones are marked in red along the walking route, from the logo fountain to the waterfall and the island. Situation plan top right, two renders of the hotel, and photographs of the ground as it was before anything was built.
Two site-scale projects.
Administration building for a refractory plant, reconstruction. Render.Park area with a rock grotto and a paved walk. Render.
SW-501SoftwareWhat I draw in
Software
Daily
AutoCAD since 2008
3ds Max since 2006
Corona & V-Ray rendering
DXF release files router & laser
Photoshop post
How a job reaches the machine: I prepare
and release the DXF cut files, parts nested and labeled with item code, quantity and
material. The shop machinist writes the toolpath program and runs the
machine.
Working knowledge
SketchUp
Fusion 360
CorelDRAW 2D & signage
Maya animation
SolidWorks not in recent years
Off the screen
Design for fabrication sheet goods
Temporary structures tents, ballast
Site supervision install
Imperial detailing US standards
Russian, English
CV-601Track record2008 to now
In the field since 2008, at this size since 2015
Senior Industrial Designer · Blossoms Events, South Carolina
I draw the builds. Bars, entrance tunnels, stage surrounds, pergolas, food
stations, tent facades, podiums, walkways. Cut lists and release files go out with
every set.
Founder · AiSTUDIO, Tashkent
Interiors and buildings, about 50 projects. I drew the working sets myself and
my name is on the title blocks. The studio closed when I left for the United
States.
Founder · Skillline Educational Center, Tashkent
My own training center for design and software, built from nothing, with its own
teaching method. Closed in 2025.
Instructor · TASI and other training centers
The same three subjects at institutional and private centers. More than 4,000
people trained since 2009, across the KOICA and TASI programs and my own
center.
Instructor · KOICA Vocational Training Center
Two years on a government vocational program, teaching AutoCAD, 3ds Max and
Photoshop.
Freelance design · Tashkent
Interiors, product and fabrication work taken directly from clients: about 100
projects, and where the habit of drawing to be made came from.
Design and computer graphics · Tashkent
Small jobs, modeling and visualization while I learned the tools, and from 2009
teaching them. The projects at full size start in 2015.
I arrived in the United States on 8 January 2026 and started at
Blossoms Events on 1 February. I am here as a Green Card holder, won in the annual
Diversity Visa lottery, with the right to live and work here permanently. Everything
before that ended when I left Uzbekistan. One degree: the Tashkent University of
Design, Construction & Maintenance of Automotive Roads, auto-transport faculty,
specialty ecologist, after transferring there in my second year. The design career came
from practice.
